9.All this is very nice, Mr. Khandekar for the Defendant says in
response, and it might have actually meant something but for two
critical and fatal flaws in the Plaintiff’s case: it has no copyright;
and, despite multiple opportunities, it has produced no evidence
sufficient even for a prima facie case let alone such as might
withstand a cross-examination, of ever having used the label. The
argument regarding copyright needs only to be noted, though it is
not strictly necessary to enter into this controversy given Dr.
Tulzapurkar’s previous statement. What Mr. Khandekar says that
even from the limited cross-examination that has already taken
place, it is not at all clear that the Plaintiff is in fact the first owner
of copyright as it claims in the Plaint.15 Nanwani’s Affidavit does
not show which label was made. In any case, the Plaint itself says
that an artist (presumably Nanwani) was ‘appointed’ to design a
label. There is no mention of any assignment from Nanwani to the
Plaintiff, and since the Plaintiff does not fall within provisos (a), (b)
or (c) to Section 17 of the Copyright Act, 1957, without a written
assignment as required by Sections 18 and 19, the Plaintiff cannot